3.
Double click on a brush design in one of the “(Art)” folders of the Line Gallery
, to apply that brush
to your line.
4.
Draw some new lines with the Freehand Tool and they will use the same current brush and line
width.
Creating your own brushes
As with Scatter brushes, you can create a new Art brush from any objects. Just select the object and press
the Create Brush button on the Freehand Tool InfoBar. The following new dialog appears.
This lets you choose whether to make an Art brush (the default) or a Scatter brush from the selection, and
to enter a name for the new brush.
After this your new brush appears as the first entry in the brushes dropdown on the Freehand Tool InfoBar
and in the first “New brush strokes” folder in the Line Gallery. It’s also automatically selected as the current
brush, so you can start drawing with it immediately. Choose a suitable line width from the line width
control on the top bar.
Guidelines for new brushes
If brushes are created from bitmaps, then the bitmap should be clipped to remove as much empty space
from the outside edges as possible. This means the brush will not introduce redundant invisible parts to
the strokes you draw with it and it can also reduce the chances of rendering problems. If there is invisible
space at the ends of the brush then lines won't terminate exactly at the points where you start and end the
strokes. And if there is empty space along the top and bottom edges then the line won't appear to be of
the correct width, it will appear narrower.
Brushes should be more or less horizontal. Otherwise strokes will tend to deviate from the line you draw.
Brushes should ideally be defined from fully saturated colours. This ensures that when you change the
colors of brush strokes the stroke color achieved more closely matches the chosen color, rather than just
being a shade of it.
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Coloring brush strokes
By default when you select a brush and draw with it, the line you draw has the same color(s) as the brush.
But you can change the color of your line by simply selecting it and clicking a color on the color line, or
using the Color Editor
. Any new lines you draw subsequently will use the same brush and line color. To
draw new lines that have the same characteristics as an existing line, just click on that line and then the
next line you draw will look the same.
Brush settings
To edit the settings of a brush, select a line that uses that brush and then press the Edit Brush button on
the Freehand Tool InfoBar.
The scaling options determine how the brush is made to fit your line. By default the brush is stretched
along the line to fit the stroke. Alternatively you can choose the proportional option if you want to keep the
brush design in proportion, ignoring the line width.
With the “Repeat along stroke” option the brush definition is curved to follow the stroke line and repeated
as many times as necessary to fit the line length. The brush design is stretched slightly to make a whole
number of repeats fit the line. Note that strokes with very large numbers of repeats can be slow to render.
The Line color options allow you to determine how the brush uses the current line color attribute. For
example, if your current line color is set to red and you choose a green brush, do you want a red brush
stroke or a green brush stroke?
Ignore (Use colors in definition only)
The first option means that the current line color will be ignored when you draw with this brush and you’ll
get the natural colors of the brush. You can still change the line color of this brush stroke later if you want
to, as described above.
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Mix line color with definition colors
This option is intended for brushes that have a strong hue, such as the blue brushes provided. The blue in
those brushes is replaced with your chosen color.
Mix line color with definition greys
This option is intended for greyscale brushes, such as the pipe brush provided. The grey is replaced with a
corresponding shade of your chosen color. When you create a new grey brush, this coloring option is
selected for you by default.
Note when you change these options you are asked if you want the changes to apply to existing lines in
your design that use the brush. Use the Save As button to make a new brush instead of modifying the
current brush.
Liquify Shape Editing Tools
There’s a new dropdown list on the right end of the Shape Painter Tool
, which contains a selection of
vector shape editing tools. Select a tool from the list and choose a nib size on the left of the InfoBar. Then
select the shape you wish to edit and hold the left mouse button down to apply the nib to the edge of the
shape to modify it.
Plug-in Tools
The Liquify tools and SmartShapes use a new plug-in technology to provide ways to extend and enhance
the drawing features of the program. It's our intention to publish a programming API that will allow third
parties to extend Designer to add their own features, tools and SmartShapes. These are all written in the
Javascript language. The API is not ready to be released yet, but if you are a Javascript developer and are
interested in using this in future, please send us a support ticket to register your interest and we will
contact you when it’s available.
New Blend Modes / Transparency Types
In the Transparency Tool, the existing ‘stained glass’ and ‘bleach’ transparency types have been renamed to
match the industry standard names ‘multiply’ and ‘screen’ repectively. We’ve also removed most of the
other, less used and non-standard types from the supported list and replaced them with 5 new W3C
standard blend modes, which are described below. Note that where existing documents use the types that
have been removed, those types will still appear in the transparency type dropdown.
Overlay
Overlay is a combination of Screen and Multiply and generally used to boost the contrast in an image. The
areas of the top object where the underlying objects are light becomes lighter and the areas of the top
object where the underlying objects are dark becomes darker.
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•
Grey (darker than 50% grey) will darken and add contrast to the underlying image.
•
Grey (lighter than 50% grey) will lighten and add contrast to the underlying image.
•
Other colors - lightens and adds contrast to unsaturated colors and darkens and adds contrast to
saturated colors.
Hard Light
Hard Light combines Multiply and Screen transparency modes. Equivalent to Overlay, but with the bottom
and top objects swapped.
•
White - no effect on the colors in underlying objects, the whites remain completely white.
•
Black - no effect on the colors in underlying objects, the blacks remain completely black.
Soft Light
This is a softer version of Hard Light. Again works similarly to Overlay although in a softer and less harsh
way than Hard Light.
Luminosity
Luminosity affects the "lightness" of the image. It blends the lightness values of the top objects with the
lightness values of the underlying objects, whilst ignoring the color values.
Color
Color is a combination of hue and saturation. Almost the opposite of Luminosity, the colors of the top
objects are blended with the colors of the underlying objects whilst ignoring the luminance values.
Hyphenation
Hyphenating long words at the ends of lines in a flowing paragraph of text allows more text to fit on fewer
lines. This is especially important with fully justified text to reduce the “rivers of white” problem, where a lot
of white space has to be introduced to pad out each line to the exact width of the text column.
In earlier versions of Designer, words were only hyphenated if they contained an actual hyphen character
or had a soft hyphen added manually. Version 11 now includes automatic hyphenation as a new paragraph
attribute. It uses a combination of built-in hyphenation rules, language-specific hyphenation dictionaries
and even an optional list of custom hyphenations for each document.
With the following full justified paragraph example, note how the spacing of the second line of text is much
better when hyphenation is on.
Hyphenation Off
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Hyphenation On
To turn the auto hyphenation feature on or off - click on the hyphenation button
in the flyout bar at
the end of the text tool InfoBar. Remember this is a paragraph option, so select the text to which you want
to make the change first.
Hyphenation Settings
To change the hyphenation settings for the current document, click on the Hyphenation Settings option in
the dropdown menu of the spellchecker
. The settings dialog will appear.
You can control the size of the shortest word that can be hyphenated, as well as how far from the
beginning and end of a word hyphens can be introduced.
Adjusting the Hyphenation Zone will change the degree of "raggedness" before hyphenation is applied. So
for example, with left justified text this would be the size of the margin to the right that would be empty
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without trying to fit in more text using automatic hyphenation. With right justified text this would be the
margin to the left, and with fully justified text this would be empty areas - "rivers of white" between words.
Increasing the zone allows less hyphenation, and consequently more white space. The Hyphenation Zone
can be expressed as an absolute value as in pixels, mm, etc., or as a percentage of the width of the text
object (the default is 5%).
Use the Consecutive Hyphens fields to limit the number of consecutive lines that can end in hyphenated
words. The Attenuation setting specifies a "soft" limit on this, so that you can set a balance between having
consecutive hyphenated lines and lots of white space on following lines. A useful value is between 5% and
10%. Values higher than 20% often inhibit consecutive hyphens so much that they no longer occur at all.
The final three checkbox options allow you to choose whether ALL-CAPS WORDS, Capitalised Words and
the last words in a paragraph can be hyphenated or not.
Custom hyphenation lists
You can add hyphenation rules to your document for specific words . Click the Edit document hyphenation
list button on the settings dialog. The dialog shows the current list of words for the current document and
allows you to enter new words. Use the tilde “~” character in a word to specify the hyphenation point(s) for
that word. Or if you want to prevent a word from being hyphenated at all, enter the word without any tilde
“~” characters in it.
Personal hyphenation list
Each time you add a word to the hyphenation list for a document, that word is also added to a personal
hyphenation list stored on your computer. Similarly, removing a word also removes the word from your
personal list.
This list is automatically applied to all new blank documents you create (File->New), so you don’t need to
keep adding the same words to all your documents. However when you open an existing document, your
personal hyphenation list is NOT automatically applied to it, because that could change the way the
document appears. It would mean that two people opening the same document, could potentially see
different results, because of their different personal hyphenation lists. So instead applying your personal
list to a document has to be done explicitly - simply press the “Import my list” button on the Document
hyphenation list dialog.
Hyphenation in websites
You can use hyphenation in your websites, but since Designer controls the exact length of each line of text
in the website HTML (so that you get an accurate representation of your page in all browsers), words that
are hyphenated at the ends of lines are broken into two parts. This means search engines won’t index your
site on these broken words.
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Abbreviation Expansion
In the spell-checker drop-down on the Text Tool InfoBar there is now a new “Auto-correction options …”
entry. This allows you to set up your own shortcuts for terms or abbreviations that you tend to type
regularly.
So if you want to be able to type “Rwd” and have that instantly replaced with “Responsive Web Design”,
simply press the Add button and enter “rwd” in the replace field and “responsive web design” in the with
field. All text in the dialog is forced to lower case, but the replacement tries to be smart about use of case,
so:-
RWD is replaced with RESPONSIVE WEB DESIGN
rwd is replaced with responsive web design
Rwd is replaced with Responsive Web Design
Commonly used replacements are already set up by default, so for example you can type (C) to get a
copyright symbol ©.
You can also replace text you type with a symbol from the Font Awesome symbol collection included in
Designer, to make it easy to enter commonly used symbols into text. Enter the text you want to replace,
click in the “With” field and press the “Pick Symbol…” button to bring up the symbol picker dialog. The
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symbol you choose will appear in the “With” field.
Embedded Graphic Options
You now have much more control over how text is formatted around objects that you paste “embedded”
into text. As in previous versions, to embed an object copy or cut it to the clipboard, go into the Text Tool
and place the text caret at the point in the text where you want to insert it, and then paste.
Now if the object you insert is wider than the text area or text column, the object is automatically resized
down to the width of the text column. Right-click on the embedded object and choose the new “Embedding
Options “ entry near the top of the context menu.
Scaling
In the first section of the new dialog you can specify how the embedded graphic should behave if the width
of the text column/area is changed, or if the graphic flows into a text area with a different width.
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Resize for narrower columns
With this option (the default), the object will resize down if it’s too wide for the text column, but it will not
grow up above its original size if the column is wider than the object.
Resize relative to column width
This option allows you to specify that the embedded object should always be a fixed % of the column
width.
Fixed size
This option turns off the automatic resizing, so the object will never change its size.
Scale only in horizontal direction
This option is useful mainly for simple divider or rule-off graphics, where you want the object to just stretch
horizontally without getting taller or shorter depending on the column width. It’s useful only for very
simple designs because more elaborate graphical divider designs are not likely to stretch well without
looking distorted.
Positioning
In this section of the dialog you choose how the graphic should be formatted into the text. The default
option is “Inline with text”, which means the graphic behaves just as if it’s a large text character in the text.
So use this option when you want to include a graphic in a line of text as if it was a character, like this
or
if you want it on a line of its own. This is how all embedded objects were formatted in earlier versions of
Designer.
Alternatively you can now choose to have the text flowing to the
right of your embedded graphic, like this, by choosing the “Text
wraps right” positioning option.
Or if you want the graphic on the right and the the text flowing to
the left, like this, choose the “Text wraps left” positioning option
instead.
,
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Margins
The bottom section of the dialog allows you to add some space around your graphic, so it doesn’t appear
too close to the text or to the edge of the column. The embedded photos above have a margin of 50px
applied on just one side, to make sure there is a gap between the text and the photos. You can specify
different values for each of the 4 sides of your graphic, or use the lock
buttons if you want to have the
same margin top and bottom, or left and right, without entering the same values repeatedly.
Break - Move below embedded graphic
When you have text flowing to the left or right of an embedded graphic, sometimes you may want to force
the next paragraph of text to start below the graphic. So to enable this, there is now a new type of break
character that you can insert: Insert->Break->Move below embedded graphic. This is used in the text
above, alongside the embedded photo examples.
Font Replacement & Styles
It’s often useful to be able to completely replace one font with another across your entire document or
website, especially if you don’t have a particular font installed and want to replace it with a font you do
have. In the Text Tool just right click in the text with the font you want to replace and choose the new
“Replace font with …” option from the context menu.
Choose the font you want to use instead and click Apply. All variants of the font are replaced across your
document, each with the matching variant and size of your chosen font.
There’s also a new entry in the text styles menu , “Update other style to match”, which will help you to apply
text styles to unstyled documents, or update an existing style to look like some unstyled text you’ve
imported. For example perhaps you’ve pasted in some text that you like the look of from another
document and you want to make all your ‘Normal text’ look like that text. Just select the text and choose
this new style option.
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Select the style you want to update and click Apply to make that style look like the selected text.
The “Apply to all similar text in this document” option is useful if you are applying text styles to a document
that doesn’t use styles already, such as an imported PDF. If selected, as well as updating the selected style,
the operation will also look for text that is similar to the selected text, right across your document and will
apply the style to that text too. ‘Similar text’ is text that has the same font and size and with the same
margin settings. The “Apply only to unstyled text” option is useful if you don’t want to change any text that
already has a text style applied.
PDF Import Improvements
•
Improved text editability (improved text reconstruction, margins, better text link import, better
underline import).
•
Better support for import and editing of PDFs with embedded font subsets, where fonts are not
installed locally.
•
Many other fixes and improvements
MAGIX PanoramaStudio 2.6
Improvements compared to version 2.5:
•
A new high-performance blending procedure renders big panoramas significantly faster.
•
The new Image manager allows replacing and selective editing of input images, even after the image
stitching.
•
A new option allows converging lines in planar/perspective projections to be avoided.
•
A new option to add GPS location information to panoramas (Geotagging).
•
90 new cameras were added to the camera database which now contains more than 2100 digital
compact and SLR cameras.
•
The updated RAW import now supports more than 500 cameras.
•
A new option to add metadata to panoramic images, which allows Google services to automatically